Like the 16mm and 30mm before it, the 56mm sports a bright f1.4 focal ratio which can achieve shallow depth-of-field effects, especially with its longer focal length. The dust and splash-proof design features a rubber sealing at the mount and the lens is supplied with a circular hood. The barrel measures 60mm in length, 67mm in maximum diameter
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Fuji 90mm f2 lens at f3.2 for 1/125s, ISO200 – Fujfilm X-Pro2. So overall the 56mm f1.2 is the more practical choice. It has the bragging rights of the f1.2 aperture for an instinctual appeal, that f1.2 aperture makes low-light photography easier short of stabilisation in either lens or the curent X-series bodies, and finally the 85mm

Fuji XF 56mm f/1.2 R Review. By Elizabeth 67 Comments Last Updated On September 2, 2020 Fuji XF 56mm f/1.2 R Image Samples X-T2 + XF56mmF1.2 R @ 56mm, ISO 200,
The XF 56mm is a true portrait lens. It gives you very sharp results while retaining a certain softness that is characteristic of good lenses of this kind, with attractive and less intrusive skin tone rendering and delicate tonal transition. X-T1, 1/750, f/ 2, ISO 200 – RL Dusk III. A long-term review of Fujifilm’s X system lenses. Fujifilm XF 56mm f1.2 R WR. My 18th lens purchase. Bought: November 2022 | Sold: April 2023 (owned for 7 months) 56mm f2 1/300 ISO125 As with Sigma’s companion 16mm and 30mm f/1.4 Contemporary lenses for mirrorless crop-sensor cameras, the 56mm is very smartly turned out. Measuring 67x60mm, it’s physically the smallest of the three and is only 10g heavier than the 30mm lens, at 280g. Like the others, it feels a perfect size and weight to match a compact mirrorless system
It has became my tradition to make a side by side comparison test when I am replacing one of my existing lens with a new one of same focal length. I named this comparison The Unfair Fight, because the current price for the new 56mm f1.2 is roughly 3.5 times more than a Viltrox f1.4, and yet I am still doing it because the comparison can show me
Hi, as a new fuji owner – traded in my Canon 6d to get a x-t20 & 56mm f1.2 - I’d like to ask for some help and see if my expectations are ‘normal’. Normally I shoot studio and location stuff and with my 6d was getting about 90-95% in focus shots using a 70-200 f4 canon white usm lens – and at f4 (for a lens that is ½ the price) the
\n fujifilm 56mm f1 2 review
Fujifilm 56mm f1.2 focusing. I tested the Single, Continuous and Manual focusing of the Fuji 56mm f1.2 using an XT1 body, and compared it against the XF 18-55mm f2.8-4, the Zeiss Touit 32mm f1.8, and out of curiousity, also against the Leica Nocticron mounted on an Olympus OMD EM1 body.
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The 56mm F1.2 is designed to give the same angle-of-view and depth-of-field as a classic 85mm F1.8 lens does on full frame. It's one of the slower-focusing lenses in the system, but it's impressively sharp and well-matched for portrait shooting. There's a more expensive 'APD' version if you need smoother background blur. Check prices | More info
Expert news, reviews and videos of the latest digital cameras, lenses, accessories, and phones. Fujifilm XF 56mm F1.2 R WR Fujifilm XF 60mm F2.4 R Macro Fujifilm
The thumbnails below link to full-sized samples taken with the Fujifilm XF 56mm F1.2 R APD lens mounted to a Fujifilm X-T1 compact system camera. 1/220s · f/8 · ISO 200. 84mm (35mm) Download Original. 1/1000s · f/5.6 · ISO 200. 84mm (35mm)
Although this may not be what you want if you are looking at a flattering portrait lens, the 50mm is sharper and much more contrasty than the 56mm. Personally, for a portrait, I prefer the fall
Product description. Announced Apr 7, 2015. Discuss in the Third Party Lens Talk forum. Manufacturer description: Velvet 56 is a 56mm f/1.6 SLR and mirrorless camera lens with 1:2 macro capabilities. This "new classic" portrait lens delivers a velvety, glowing, ethereal look at brighter apertures, and beautifully sharp but subtly unique images
As part of Sigma’s Contemporary lens line, the 56mm f/1.4 DC DN is designed to offer exceptional image quality and performance all in a small, convenient package. With a 35mm equivalent of 84mm
The biggest surprise when the XF 16mm f/2.8 R WR was released was the fact that Fujifilm chose to make it a max f/2.8 lens instead of f/2. The XF 16mm f/2.8 R WR came out as the last in a line of lenses nicknamed the Fujicrons (after Leica’s f/2 Summicron lenses), which all have a max f/2 f-stop with similar design features and specs.
The Rokinon 50mm f1.2 (also sold as a Samyang 50mm f1.2), is an ultra-fast, ultra-bright 50mm APS-C mirrorless lens with a field of view equivalent to 75mm on Sony and Fujifilm cameras and 80mm on the Canon mirrorless cameras. It features excellent coatings for flare and ghost reduction and two aspherical elements for excellent corner sharpness
X-Pro2, 1/950, f/2.8, ISO 200 – 50mm CS. We also notice a tiny difference in colour rendering. The Samyang lens seems to have a slightly warmer/yellowish tint than the XF 56mm. The Fuji 56mm can focus as close as 70cm while the Samyang 50mm can focus as close as 50cm. We've just published our review for the Fujinon XF 56mm f/1.2 R, the hot new ultra-fast portrait prime from Fujifilm.Just now hitting the store shelves, this f/1.2 lens is absolutely stunning with 7lCP.